Lu Xun, Nietzsche, and the Power of Self-Transcendence

Main Article Content

Wenjin Cui

Abstract

“My works are too dark, because I feel that only ‘darkness and nothingness’ are ‘existent’; yet I am still determined to fight against them in despair, therefore, I voiced many contentious views.” This self-appraisal by Lu Xun (1881–1936), the greatest 20th-century Chinese writer, captures the extraordinary engagement with nihilism that lies at the heart of his thinking. Rather than taking nothingness as a sheer negation of life that should be eliminated, Lu Xun’s resistance to nihilism embraces nothingness as the constitutive exteriority of existence, as the necessary risk that life has to face in order to renew and recreate itself. This distinct stance is crystalized in his conception of the power of self-transcendence, which places the tension between being and nonbeing at the heart of living and affirms the self-transcending momentum of power as the new ground of meaning.


This paper examines the notion of the power of self-transcendence that Lu Xun upheld in his response to the crisis of meaning in modernity. Besides providing a basic explication of this notion in the context of Lu Xun’s thinking, I also explore its broader intellectual significance through a global comparison with Nietzschean philosophy, which exerted a formative influence on Lu Xun during his youthful years. On one hand, Lu Xun’s conception of the power of self-transcendence strikes a deep resonance with the Nietzschean project of overcoming nihilism, as both hinge upon the affirmation of nothingness as the constitutive exteriority of life. On the other hand, while Nietzsche’s primary objective¾in response to the metaphysical tradition of Western culture¾is to break open the spiritual enclosure of being to the vital becoming of life, Lu Xun’s particular concern¾in response to the correlative thinking of Chinese culture¾is to inculcate a greater sense of differentiation into the immanent flow of life.

Published: Nov 14, 2022

Article Details

Section
Individual Sessions: Words and Images Crossing Literary and Critical Borders