Vol. 4 (2025): Re–Imagining Literatures of the World: Global and Local, Mainstreams and Margins

DOI: https://doi.org/10.62119/icla.4.2025

Published: 2025-05-05

Full Issue

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Guest Writer

• Writing and Teaching Maternal Language in a Non-maternal Place

  Iman Humaydan

  11-19

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Minorities and/in Literature

• Elegy and the Melancholic Public from “9/11” to “Trumpland”: Ayad Akhtar’s Homeland Elegies in Context

  Susana Araújo

  20-31

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• Unconscious Motifs and Gender Trouble in Djuna Barnes’ Nightwood

  Sopiko Geliashvili

  32-41

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• Life Narratives: Racial Issues

  Roseli Gimenes

  42-55

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• Language and Lesser Forms of Language: Arabi-Malayalam Negotiating the Canon with Malayalam :iterary Listoriographies

  Yoonus Kozhisseri

  56-81

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• Magical-Realistic Motifs and Mystic Rituals in Modern Georgian and Latin American Novels (A Man Was Going Down the Road of Otar Chiladze and Lituma en los Andes of Mario Vargas Llosa)

  Ada Nemsadze

  82-96

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Translating Difference The other in Other Words

• Besik Kharanauli's Latest Metapoetic Books – at the Crossroads of Tradition and Innovation

  Tamar Barbakadze

  97-108

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• How to Translate the Speechless Other? An Eco-rhythmological Experiment

  István Berszán

  109-121

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• Imposters by al-Hariri and its Translations

  Nino Dolidze

  122-146

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• Translating Sensations: The Task of Translating Rayuela’s Chapter 68 into Chinese

  Licoa Campos, Adolfo Fabricio

  147-160

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• A Microcosm of Modernism: The Introduction and Continuation of James Joyce in China (1922 1949) - From the Circulation of the First Edition of Ulysses in China

  Yilin TANG

  161-172

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• Three English Translations of Chapter One of the Tao Te Ching: Reading Cultural Translatability through Intercultural Communication

  Stephen Zhongqing Wu

  173-182

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Minor Literature, Small Literatures, Literature in Small Nations

• Literary Paradigms of Adam Mickiewicz “Faris” in the World Poetry

  Eka Vardoshvili

  183-191

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• World Literature from the Perspective of “Small” Literatures

  Miloš Zelenka

  192-201

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Colonial, Postcolonial, Decolonial and Neocolonial Experiences: Rewriting Cultural History

• Perspectives on the Development of Literature in the Context of the Colonial Regime and the Independence of the Country

  Gia Arganashvili

  202-211

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• The Theme of War in German and Georgian Baroque Literature (Andreas Gryphius and Davit Guramishvili)

  Konstantine Bregadze

  212-227

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• Postcolonial Representation in the “Indochinese Cycle” by Marguerite Duras

  Marine Sioridze

  228-240

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• Georgian Poetry in the Face of Repression in the 1930s

  Salome Lomouri

  241-252

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• Two Cases of Roman-monde: Salman Rushdie’s Midinight’s Children and Édouard Glissant’s Tout-monde

  Mattia Bonasia

  253-262

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• Interrelation of Censors and Editors During the Second Half of XIX Century or the Reaction of the Caucasus Censorship Committee to the Work of Editors

  Tamar Sharabidze, Anna Dolidze

  263-277

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• Rethinking the Story of the Surami Fortress: Multicultural and Anti-imperial Dimensions of Georgian Novella and Films

  Lela Tsiphuria

  278-293

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• Soviet Trauma and the Discourse Analysis of Narratives in Oral History

  Marine Turashvili

  294-304

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• Female Barbary Captivity Narratives: from “Self-made Woman” to Romantic Adventurer

  Yangxiaohan Zheng

  305-314

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Gender and Sexuality in Contemporary Literature and Culture

• Blogosphere as a Source of Alternative Sex Pedagogy

  Aritra Saha

  315-325

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• “Forcibly Normalized Environments”: Precarious Japanese Female Worker in Sayaka Murata’s Convenience Store Woman

  Jaseel P

  326-335

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• The Depiction of Women in Pauline Corpus and Achebe’s Things Fall Apart: Modern African Womanist Criticism

  John Arierhi Ottuh

  336-355

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• Medea of Three Different Eras – Woman’s Artistic Image as a Reflection of Epochal Tensions (Corneille, Legouve)

  Ketevan Nadareishvili , Manana Pkhakadze

  356-370

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• Gender Aspects of Shio Aragvispireli's Stories

  Nestan Kutivadze

  371-386

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• Motherland, Holy Mother, “Mother Courage”: the Representation of Motherhood in Contexts of Armed Violence

  Noemi Linardi

  387-395

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• Feminism, Post-feminism and Postmodern Feminism Reflections in Contemporary Georgian Poetry

  Nino Gogiashvili

  396-410

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• The Killjoy Mother: Navigating the Mother-Daughter Relationship in Avni Doshi's Burnt Sugar

  Sushree Routray

  411-420

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• Delineation of Inner Spaces and Angst: A Comparative Studyof Amrita Pritam’sPinjar and Bapsi Sidhwa’sIce – Candy –Man

  Urwashi Kumari

  421-429

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• A Literary Model of the Broken Gender Lens

  Zeinab Kikvidze

  430-439

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The Post-Soviet Literary Space and the World after Cold War

• Post-Yugoslav in Others’ Languages: Memory and Identity among 1.75 Generation Writers

  Ayako OKU

  440-450

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• Where is the Solution in Case of Moral Degradation Acccording to Guram Dochanashvili's Novel "Boulder on Which Once there was a Church"

  Eka Chkheidze

  451-461

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• The Trauma of Internal Displacement in Teona Dolenjashvili's Novel “The Bird Will Not Fly Out”

  Nino Mindiashvili

  462-470

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• The Free Verse and the Freedom of Expression in Soviet and Post-Soviet Georgian Poetry

  Nunu Balavadze

  471-480

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• (Foreign) Language against Forgetting

  Katja Grupp

  481-489

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• Postmodernist Experiment as a New Worldview Code in Post-Soviet Georgian Literature (Z. Karumidze's novel "The Wine-dark Sea")

  Sophiko Kvantaliani, Irine Manizhashvili

  490-502

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Digital Culture: Media, Transmedia, Intermedia

• Digital Cultures of Horror in Mónica Ojeda’s Fiction

  Adolfo F., Licoa C.

  503-515

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• The Rhetoric of Videogame between Elocutio, Dispositio and Inventio: a Theoretical Proposal

  Aldo Baratta

  516-537

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Plenary Speaker

• Georgian Literature as Part of World Literary Heritage. A Brief Introduction

  Irma Ratiani

  538-544

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