Georgia as a Cultural Source for Arab writers – Moroccan Imaginary as a Model –

Abstract

Has Georgia become a cultural source for Arab writers, in the context of their Postcolonial perspectives towards cultural paradigms?
What space do Georgia and its culture occupy, among univer-sal cultures, in the Arab imaginary in general?
I will try to expand these two questions, by focusing on the Moroccan imaginary, keeping in mind the impact of translation as the sole tool of communication between the Arab writers and Georgian culture.