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Collected Papers of the XXIII Congress of the ICLA
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Vol. 1 (2024): Re–Imagining Literatures of The World: Global and Local, Mainstreams and Margins
Vol. 1 (2024): Re–Imagining Literatures of The World: Global and Local, Mainstreams and Margins
DOI:
https://doi.org/10.62119/icla.1.2024
Published:
2024-11-01
Full Issue
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Introduction
Introduction
Irma Ratiani
11-40
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Art Criticism and Creation in European Literatures
Analysis of the Concept of Reliability in The Origin of the Work of Art
Xiaodan Han
41-49
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Criticizing by Creating: Friedrich Schlegel’s Early Romantic Idea of “Criticism”
Yiyun Lu
50-61
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Urban Borderlands – Comparative Perspectives
From Street-Life to Cruising in the Park: Queers & the Dancefloor (1978-1988)
David Carroll
62-71
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The Political Aesthetics of Agricultural Protest in the 21st Century
In Search of a Sky to Protect the Earth: Houellebecq’s Political Aesthetics Considering Sérotonine
Noëlle Miller
72-82
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South Asian Visions of Africa and African/Diasporic Literatures
A Postcolonial Native in Colonial Africa: An Exploration of the Travelogue Kappirikalude Nattil
K R Shabab
83-90
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Beware of Women: Analyzing the Market Literatures of Nigeria
Mrittika Ghosh
91-105
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Dialogic Reading of African Literature in Bengali: A Study from Bangladeshi
Elham Hossain
106-120
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Plurality in Literary Reading: A Comparative Study of the ‘Goodreads’ Reviews of Moustache and Mama Africa
C Rafid
121-130
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Pandemic Imaginations
Writing in a Time of Epidemic
Adia Mendelson Maoz
131-141
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Global Plague, Local Pain: Mourning the Tragedy of Covid
Jennifer Wallace
142-161
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Chinese Influences on Modern and Contemporary European and American Literature and Literary Theories
Song of the Dark Ages: Brecht in Exile and “Chinese Role Model”
JIAN Nana
162-173
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The Wu Wei (inaction) Thought of Daoism and its Influence on German Literature in the 1920s
Taking Siddhartha and The Magic Mountain as Examples
Xiang Li
174-184
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Translation and Identity Formation in Transcultural Communicating Practice – Chinese Heterotopia in Kafka’s ‘the Great Wall of China’
Xinyi Zhao
185-206
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Colonial, Postcolonial, Decolonial and Neocolonial Experiences:Rewriting Cultural History
Post/de/colonial Strategies in Latin America’s Literary and Cultural Discourses
Eduardo F. Coutinho
207-219
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Rewrite the History of a Chinese-American Female: Narratology of The Lost Daughter of Happiness (Fusang)
Fang Leya
220-231
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Rewriting the past in O Vendedor de Passados (2004) and Teoria Geral do Esquecimento (2012)
Miriam de Sousa
232-247
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Imagining Cultural Transfers – Poetics of Cultural Contact, Circulation and Exchange
Web Novels as Vehicles of Cultural Transfer Across the Globe. Re-negotiations of Cultural Histories Between East and West
Annette Simonis
248-259
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Transnationalism and the Languages/Literatures of the Global South: South Asian Perspectives
Delineation of Inner Spaces and Angst: A Comparative Study of Amrita Pritam’s Pinjar and Bapsi Sidhwa’s Ice – Candy – Man
Urwashi Kumari
260-270
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Exploration of Womanhood and the Assertion of Self: A Comparative Study of Meghna Pant's One and a Half Wife and Bapsi Sidhwa's The Pakistani Bride
Neeraj Kumar
271-283
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Focusing Cultural Affinity Among South Asian Cultures, Cutting Across Geo-spatial Barrier: Rabindranath Tagore and His Multi-dimensional Creativity
Tapati Mukherjee
284-292
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Translation and Transnationalism: A Study of Memory, Migration and Spirit Translation
V Gouri Parvathy
293-303
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Characters without Names: the Anonymous and the Crowds
Anonymous Characters, Function and Aesthetics: An Other Reading of Death in Venice
Guan Rongzhen, Zhou Xiaoying
304-320
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History, Sociocultural Implications and Archetypal Characters of “Three Gu Six Po” in Traditional Chinese Novels
Lu Danqi
321-333
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The Influence of Manchuria Experience on Abe Kōbō`s Post-war Novels
Jiahui Yuan
334-345
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Texts and Visions Across Genres and Media: Re – thinking Arab Cultural History
Georgia as a Cultural Source for Arab writers – Moroccan Imaginary as a Model –
Fatiha Taib
346-372
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New Trajectories in Postcolonial Narratives: The Predicament of the Immigrant in the Host Country in Laila Lalami’s The Other Americans
Hamid Issafi
373-385
On Our Post – Mediatic Bodies
Media Art and Wearable Technology: Re-Thinking Media and Art in Post-Mediatic Forms
Soojin Kwon
386-400
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