DOI: https://doi.org/10.62119/icla.1.2024

მიმდინარე გამოცემა ტომ. 1 (2024): Re–Imagining Literatures of The World: Global and Local, Mainstreams and Margins
გამოქვეყნებული 2024-11-01
სრული გამოცემა
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Introduction

Introduction

Irma Ratiani

11-40

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Art Criticism and Creation in European Literatures

Analysis of the Concept of Reliability in The Origin of the Work of Art

Xiaodan Han

41-49

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Criticizing by Creating: Friedrich Schlegel’s Early Romantic Idea of “Criticism”

Yiyun Lu

50-61

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Urban Borderlands – Comparative Perspectives

From Street-Life to Cruising in the Park: Queers & the Dancefloor (1978-1988)

David Carroll

62-71

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The Political Aesthetics of Agricultural Protest in the 21st Century

In Search of a Sky to Protect the Earth: Houellebecq’s Political Aesthetics Considering Sérotonine

Noëlle Miller

72-82

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South Asian Visions of Africa and African/Diasporic Literatures

A Postcolonial Native in Colonial Africa: An Exploration of the Travelogue Kappirikalude Nattil

K R Shabab

83-90

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Beware of Women: Analyzing the Market Literatures of Nigeria

Mrittika Ghosh

91-105

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Dialogic Reading of African Literature in Bengali: A Study from Bangladeshi

Elham Hossain

106-120

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Plurality in Literary Reading: A Comparative Study of the ‘Goodreads’ Reviews of Moustache and Mama Africa

C Rafid

121-130

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Pandemic Imaginations

Writing in a Time of Epidemic

Adia Mendelson Maoz

131-141

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Global Plague, Local Pain: Mourning the Tragedy of Covid

Jennifer Wallace

142-161

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Chinese Influences on Modern and Contemporary European and American Literature and Literary Theories

Song of the Dark Ages: Brecht in Exile and “Chinese Role Model”

JIAN Nana

162-173

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The Wu Wei (inaction) Thought of Daoism and its Influence on German Literature in the 1920s

Taking Siddhartha and The Magic Mountain as Examples

Xiang Li

174-184

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Translation and Identity Formation in Transcultural Communicating Practice – Chinese Heterotopia in Kafka’s ‘the Great Wall of China’

Xinyi Zhao

185-206

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Colonial, Postcolonial, Decolonial and Neocolonial Experiences:Rewriting Cultural History

Post/de/colonial Strategies in Latin America’s Literary and Cultural Discourses

Eduardo F. Coutinho

207-219

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Rewrite the History of a Chinese-American Female: Narratology of The Lost Daughter of Happiness (Fusang)

Fang Leya

220-231

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Rewriting the past in O Vendedor de Passados (2004) and Teoria Geral do Esquecimento (2012)

Miriam de Sousa

232-247

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Imagining Cultural Transfers – Poetics of Cultural Contact, Circulation and Exchange

Web Novels as Vehicles of Cultural Transfer Across the Globe. Re-negotiations of Cultural Histories Between East and West

Annette Simonis

248-259

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Transnationalism and the Languages/Literatures of the Global South: South Asian Perspectives

Delineation of Inner Spaces and Angst: A Comparative Study of Amrita Pritam’s Pinjar and Bapsi Sidhwa’s Ice – Candy – Man

Urwashi Kumari

260-270

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Exploration of Womanhood and the Assertion of Self: A Comparative Study of Meghna Pant's One and a Half Wife and Bapsi Sidhwa's The Pakistani Bride

Neeraj Kumar

271-283

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Focusing Cultural Affinity Among South Asian Cultures, Cutting Across Geo-spatial Barrier: Rabindranath Tagore and His Multi-dimensional Creativity

Tapati Mukherjee

284-292

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Translation and Transnationalism: A Study of Memory, Migration and Spirit Translation

V Gouri Parvathy

293-303

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Characters without Names: the Anonymous and the Crowds

Anonymous Characters, Function and Aesthetics: An Other Reading of Death in Venice

Guan Rongzhen, Zhou Xiaoying

304-320

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History, Sociocultural Implications and Archetypal Characters of “Three Gu Six Po” in Traditional Chinese Novels

Lu Danqi

321-333

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The Influence of Manchuria Experience on Abe Kōbō`s Post-war Novels

Jiahui Yuan

334-345

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Texts and Visions Across Genres and Media: Re – thinking Arab Cultural History

Georgia as a Cultural Source for Arab writers – Moroccan Imaginary as a Model –

Fatiha Taib

346-372

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New Trajectories in Postcolonial Narratives: The Predicament of the Immigrant in the Host Country in Laila Lalami’s The Other Americans

Hamid Issafi

373-385

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On Our Post – Mediatic Bodies

Media Art and Wearable Technology: Re-Thinking Media and Art in Post-Mediatic Forms

Soojin Kwon

386-400

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